PRODUCT NAME
MXL 4000 Blizzard Limited Edition Multi-Pattern FET Studio Condenser Microphone
PRODUCT CODE: PROD980121115
PRODUCT INFORMATION
Audio Analog or digital: Analog Frequency response: 20Hz to 20kHz Max SPL: 130 dB Connectivity: XLR Pattern and type Capsule: Condenser Polar pattern: Multi-pattern Type: Mounted Applications: Studio Diaphragm size: Large diaphragm Switches: Low-cut, -10dB pad Phantom power required: Yes (48V) Size and weight Width: 2.3'' Height: 9.4'' Weight: 1.6 lb. Included accessories Case: YesTechnical Details
Product Details
Product Dimensions
Package Dimensions
Width : 9.75 inch
Height : 5.25 inch
Length : 11.75 inch
Item Weight: 0 ounce (View shipping rates and policies)
Shipping Weight: 0 ounce (View shipping rates and policies)
ASIN : B01N06013S
Product Description
4000 Blizzard Limited Edition Multi-Pattern FET Studio Condenser Microphone. The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. This one is a reissue with a white chassis and a blue LED that glows when phantom power is present. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances. Using the Polar Patterns To take advantage of the versatility of the MXL 4000''s polar patterns, here are some miking tricks of the pros. Figure-8 Figure-8 mics pick up sound equally well from front and rear. So, if you''re looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you''re miking drums and want to give the hi-hat its own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you''re recording a singer-guitarist who''s playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer''s mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. Omni In many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of...