Nominal Two Square Feet, at your selected thickness
Random widths with a nominal 24'' length
Great for many wood projects that could include: Veneering, box building, scroll saw work, etc.
The boards have been planed and rough sanded to select thicknesses
Thin stock cut from quality, kiln-dried stock
Dimensions are +/- 1/8'' of the size listed
Total pack equals a nominal 2 sq. ft. with random widths at 24'' length
These assortments eliminate hours of material preparation and allow more time for finishing your projects

Technical Details

Product Details

Package Dimensions
Width : 6.5 inch
Height : 1.18 inch
Length : 24.29 inch

Shipping Weight: 2.9 pounds (View shipping rates and policies)

ASIN : B074JLF2XW

Product Description

Quitled Maple is not actually a species, but simply a description of a figure in the grain. Quilted maple occurs most often in soft maples, but is also seen in hard maples. (The highest grade quilted maple is most commonly seen in Bigleaf Maple.) Quilted maple is so named for its resemblance to patchwork patterns seen on fabric quilts. Much like birdseye maple, the figure on quilted maple becomes most pronounced when the board has been flatsawn, which is the opposite of curly maple, which becomes most prominent when quartersawn. Alternate names and sub-categories for this type of figuring include blistered, curly-quilt, sausage-quilt, tubular-quilt, and angel-step. There are varying grades of quilted maple, based upon the perceived depth of the quilt, as well as the purity of color of the wood itself (with a pure and uniform white being the most valuable). Quilted maple billets are often sold for extremely high prices for use as tops of electric guitars. They are frequently dyed in outlandish colors such as blue, green, or purple to give an ''electric'' effect to the grain pattern. One technique that is used to further enhance the grain pattern is to initially dye the wood a very dark brown or black, and then sand back almost to raw wood, leaving just a residue of black dye remaining in the low spots of the grain''s figure, and then reapply a dye of the final color. The result will be accented and shadowed by the darker dye that was left in the low portions of the grain, while the primary color is brought out in the body of the wood.