1. Sawtooth with CS-80-style ''tooth''-impurity. Modulating the tooth width and polarity creates phasing and timbre animation.
2. Continuous morphing through triangle, sawtooth, square and pulse waveshapes. With adjustable overdrive and coloration.
3. Sawtooth and square morphing. Continuous interpolation between the two shapes; and pulse-width modulation controls. Pulse-width modulation is applied to the sawtooth wave too, resulting in a thick ''animated saw'' sound.
4. Dual square wave with hard sync, with frequency ratio and balance control.
5. Triangle and sine, with continuous interpolation between the two shapes; and wave multiplier

Technical Details

Product Details

Product Dimensions

Package Dimensions
Width : 9.5 inch
Height : 3.5 inch
Length : 11.5 inch

Item Weight: 9.6 ounce (View shipping rates and policies)
Shipping Weight: 0 ounce (View shipping rates and policies)

ASIN : B00X4K8TX8

Product Description

This product has been played/demoed in store, used to make promotional materials, or returned in great condition. It may be missing its original packaging or inserts or show very slight signs of use. This item is backed with the same return policy and satisfaction guarantee as a new product, making it a risk free purchase. Mutable Instruments Braids Macro-Oscillator AN ATLAS OF WAVEFORM GENERATION TECHNIQUES Braids is a voltage-controlled monophonic digital sound source. Sound source… like an oscillator? Not really. Most of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators that’s why we call it a macro-oscillator intricate digital synthesis algorithms wrapped in oscillator’s clothes. 2 KNOBS TO RULE THEM ALL Each algorithm is controlled by two continuously variable parameters, TIMBRE and COLOR, both of them voltage controllable. Instead of being directly assigned to the intricate details of the synthesis algorithm, they work as meta-parameters going through all the sweet spots. Very often, these parameters simultaneously affect several dimensions of timbre, creating very complex movements which would be hard to generate with a traditional setup. CS-80 style sawtooth with a notch. Continuously variable morphing between triangle, sawtooth, square and pulse, with character control. Square/sawtooth with pulse width control. Triangle to sine morphing, with wavefolder . Direct digital synthesis Band-limited dual pulse train, with detuning. Dual square or sawtooth oscillator with hard sync. Triple saw, square, triangle or sine Stack of three ring-modulated sine waves. Swarm of seven sawtooth waves. Comb-filtered sawtooth wave Circuit-bent sawtooth generator with sample rate reduction and bit toggling. Direct synthesis of filtered waveforms, casio CZ sty